Creative Practising & improvisation for all instruments

Wednesday 27th Jan, 6.30pm TIL 7.30pm
Hi there! I’ll be showing you a variety of improvisation approaches and how to practise them effectively to ensure maximum learning, getting out of any practise ruts.

Musicians can work at their own level using these concepts and apply these to whichever chords, arpeggios, tunes etc they know. So whatever your level you can access this class and use it to further your understanding of whatever musical knowledge you already have.

We will be looking at the tune Sunny Side of the Street in the key of F for applying these concepts to a tune.  You can work on as little or as much of the tune as you feel comfortable. See the chart below in ireal pro format, printable.

It would help if you know what a 2,5,1 progression is and other points such as playing arpeggios, the tune Autumn leaves or any standards of your choice, the 1,2,3,5 pattern (ie, in C it would be C,D,E,G).  But again, it doesn’t matter as everyone can apply the concepts to whatever they know.

If you click on “going” on the Facebook event that would be great.

https://fb.me/e/14VccSupa

Here’s the Zoom link and payment info

1. Pay £10 by Weds

 PayPal.me/paulrichardsguitar

Select “friends and family” so as not to incur a charge.

Or

Paul Richards

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Sort code, 40 47 26

Account number, ‪71654179

2.  Topic: Paul Richards’s Zoom Meeting
Time: Jan 27, 2021 06:30 PM London

Join Zoom Meeting
https://us04web.zoom.us/j/76274656332?pwd=dGtwb3RzN01aMjVxNEEyaUhob0wrUT09

Meeting ID: 762 7465 6332
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15th Oct, Sussex Jazz Guitar School

Triad pairs, outside and scale notes, creating sequences and melodies

We will focus this week’s class on flying around the fretboard using triad pairs as a basis for improvising and coming up with many interesting ways to combine these together with chromatic and scale notes. How to relate them to certain chords. Looking at slash chords. This will also be used in chord melody soloing.

Your playing will really come alive with the approaches I will show you in this class and you will deepen your fretboard knowledge, note targeting and “Legato” feel and sound.

We will be using the whole length of the guitar neck and all string sets.

There will be plenty of steps involved so please have a note book, blank TAB , blank chord diagrams.

A good starting point so we are on the same page will be to know all the triad shapes of C major on all string sets.

C major triad ,

Root – C   (In Blue on diagram below)

3rd – E

5th -G

click or press on the picture below to view full screen.

 

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1st October Sussex Jazz Guitar School

Spice up your Blues playing, 2,5,1 in major and minor and have something to say on the A section of the Jazz Standard Caravan!

We will be exploring altered dominant concepts and resolutions in depth 🙂

We will create routes through these chords using a mixture of whole tone – clusters and scales, Messiaen mode, augmented triads using single note lines and also block chord style soloing.

All broken down simply , leaving no stone unturned as we increase the complexity and modern sounds of these lines!

Have some blank TAB to note down any Messiaen / whole tone passages.

here’s some material to have handy in lesson

 

 

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Sussex jazz guitar school 27/9/20

Altered Dominant Chords

There are countless concepts and devices to use over altered dominant chords.

i have many approaches depending on the sound I want to get.

We will look at dominant chords going to both major and minor One  chords. (Major and minor 2,5,1)

these can be used in blues progressions also and hundreds of standards!

We will focus on making use of #5 sounds, so lots of Augmented Triads , whole tone scale principles, maybe some Messiaen linked in with it to 😉

Have these diagrams ready to hand!   Best to print out, So you can scribble on them..

 

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Sussex Jazz Guitar School, 17/09/20

Creating an Etude over Autumn Leaves – 17th September Class

We are using last weeks diagrams to help us compose an etude over Autumn Leaves.

we will use creative devises and voice leading to weave through the changes.

Having done last weeks class isn’t essential although it will help.  If you want the video recording of the class, contact me and I will email you it.

Minor spread triads and applications (last weeks work)

We will be looking at minor spread triads and how we can practice and use them.

we will be aiming at trying to weave lines incorporating these triads and scale notes with twists and turns through the chord changes of a jazz standard – Autumn Leaves.

This approach can be used over any jazz standard.

Heres the accompanying material.

1. Minor Spread triads

2. Major spread triads

3.   Chords to autumn leaves


 


 

 

 


 

 

 

 


 

 

 

 

 

 

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